Stepping out from behind her moniker as New Buffalo for her real name, Sally Seltmann, is essentially re-branding post her co-written "1234" success with Feist. Like her previous records Seltmann possesses an awkward charm, slightly quirky, minimal arrangements and breathy vocals, with the occasional change up for more lush chamber arrangements and a twinkle of synth.
Most of the album however, is limp and falls victim to its own sickly sweet, Carpenters brand of optimism. "On the Borderline," is hard to take while keeping a straight face, and "Happy," is a melodramatic, sparely arranged answer to Feist's "Honey, Honey." While the arrangements and song-writing is quirky and generally intriguing, twinkling synth and Seltmann's falsetto aren't capable of sustaining interest through Heart That's Pounding's 12 tracks.
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