Record Review: The Wilderness

The Wilderness - The Wilderness   4/5

Myspace

Upon first listening to The Wilderness, you can name a handful of artists this Toronto outfit have drawn their sound on, the only problem is once you've singled out those bands as similarities, deciding which The Wilderness sound most like is nearly impossible, and by that point it's too late, you're hooked. 

Record Review: Michael Rault

Michael Rault - Ma-Me-O 4/5

Myspace

Stick a quarter in the jukebox and you'd expect to find Dusty Springfield, Herman's Hermits or The Drifters, but Edmonton's Michael Rault like his Brit pop contemporaries Adele, and Duffy could fit seamlessly into the R&B - pop music of that bygone era.

Record Review: Robyn

Robyn - Body Talk   4.5/5

Myspace

Gaga's got her crazy wardrobe, Rihanna's feeling empowered on the dancefloor, Christina's gone burlesque, Pink's toasting her hits but no one loaded the dancefloor or ipods with dance-pop anthems full of raw emotion set to heart pumping beats in 2010 like Robyn. Body Talk, the full-length 15 track release brings her Body Talk trilogy full circle, with 5 new songs along with 5 from each of the previous installments, Robyn has produce the best dance-pop album of 2010. 

Artist to Watch: Florrie

Florrie

Official Website

In the age of iTunes, Facebook, Myspace and Twitter, artists are relying more and more on social media to get their brand out to fans at a grassroots level limiting the cost to the fans with free downloads for a 'Like' on Facebook or paying with a 'tweet' on Twitter, the novelty may have worn off but the exposure and reward gained from using these mediums is very real.

Record Review: Rihanna

Rihanna - Loud   4/5

Myspace

Rihanna is arguably the only pop act aside from Lady Gaga with such mass appeal, a fact forgotten after last year's Rated R, a dark and uneven record. Loud is about as literal a title as there is, and a return to form as the Barbados vixen turns up the mic and rocks the speakers at sonic levels full of bravado and plenty of grooves.

In Focus: Data Romance

Data Romance - Bones from Data Romance on Vimeo.

Watch the energizing black and white video for Data Romance's latest single 'Bones.' Shot in a single take with no edits at Sugar Studios in Vancouver. Don't forget to download their Bones EP and pay with a tweet at their official website.

Single Selections (Extended Edition): Data Romance

Data Romance - Bones 4.5/5

Official Website

Vancouver's Data Romance are a striking blend of sophisticated atmosphere pop/rock and electronic beats, this duo is a medium between Lykke Li and Bjork. It's a dark trance, that will have you grooving and leave you wanting more! If you like what you hear download their EP on their official website and pay with a tweet on Twitter.

Record Review: Clothes Make The Man

Clothes Make The Man - Control EP   2.5/5

Myspace

If you're looking for loud, in your face rock 'n roll Clothes Make The Man are the live band for you, and with the release of Control, their 4-track EP, they hope to make an even greater impression on your ipod. Control instead documents their highs and their lows, leaving you somewhere in the middle.

Kicking off the EP is 'Cruisin' a less than impressive hard rocker, with a simple hook 'cruisin for a bruisin' followed by climatic guitar riffs and clashing symbols, but for all its bark, it lacks much bite. The band's big hit track 'Dreamless Nights' is a highlight, showcasing their obvious commercial appeal, with it's monstrous hook, and stadium rock feel, have earned the band a spin on CTV's Degrassi. While 'Mean What You Say' is a more grown up track with its short, choppy guitars over a mid-tempo beat, playing more to their skills as musicians and lyrics that speak of boys all grown up. Unfortunately the band shift back to their less progressive material with Control's closer with the short (just over two minutes long), 'Wide Eyes Shout' by far the weakest link, it never feels quite complete.

The band has certainly developed their sound, front man Ryan McLennan's raspy, scratching vocals give Clothes Make The Man a more unique sound, every so often channeling just a bit of Tim Armstrong's snarl. Cutting their teeth on tracks like 'Dreamless Nights' Clothes Make The Man have considerable talent and potential but only two of the four tracks on Control are really worth the listen. If first impressions are everything, the band delivers a mixed bag.

In Focus: MEN

Check out the latest video 'Off Our Backs' from the Brooklyn-based band MEN an art/performance collective fronted by Le Tigre's JD Samson. It's full of catchy dance pop and a bit of eye candy too!


 Be sure to pick up the band's Off Our Backs EP recently released on iTunes!

Record Review: We Were Lovers

We Were Lovers - We Were Lovers EP   3.5/5

Myspace

Saskatoon may not be at the top of anyone's list for exporting hot music acts, but once you've been introduced to We Were Lovers, you may rethink that statement. The duo made up of Elsa Gebremichael and Ash Lamothe are about as sexy an export from the prairies are one could hope for and their music is just as attractive.

The release of their self-titled EP is mire glimpse of what is to come, yet has all the hallmarks of a band just waiting for that perfect moment to strike it big. In only 3 tracks it's hard not to become drunk on Gebremichael's seductive, girl on the prowl vocals over Lamothe's lush atmospheric pop/rock compositions, all the while drawing from both their contemporaries Controller.Controller, and The Yeah Yeah Yeahs snarling guitars on 'Wild Fire' or 80s staples like New Order on the climatic atmosphere of 'Partners In Crime'.  

The key for We Were Lovers is that while their influences are easy to spot, they never over power and remain focused on layered compositions and Gebremichael's cooing vocals. For these future starlets sexy is a state of mind, that helps take their synth-saturated pop/rock to the next level and the nearest dance floor.

   Partners In Crime by Shattered Vinyl

In Focus: Sweet Thing

Having recently wrapped up their Canadian Tour with Justin Nozuka, Toronto's Sweet Thing have released their second music view for "Change of Seasons" as heard on the feature film "Easy A". For more on Sweet Thing check out the band's at their official website here.

Artist to Watch: Megan Bonnell

Megan Bonnell

Myspace

To see Megan Bonnell in person, attention is immediately paid to her gorgeous features, charming personality and the thought that this girl should be a model for some brand name designer, but stick her behind a piano, in front of a crowd of fifty plus curious individuals and all your preconceived notions fade. This was the case during Bonnell's recent self-titled EP release party at Toronto's Magpie.


Her silky voice with an air of Rachael Yamagata and eclectic sound, Bonnell is commanding even from a piano bench. Turning Magpie's crowd into fans with her indie folk-pop a mixture of beautiful ballads and playful, cheery pop. Despite her debut EP's length (just three songs) Megan uses her talents wisely showcasing her lyrical and vocal strengths.


In just a few short days, Bonnell has turned up the volume from simple songstress with a piano to the 'It' girl, with her sold out EP release performance and earning the honour of CHARTattack's 'Song of the Day' for her track 'The Wind' off her debut EP. The simple explanation is Megan Bonnell is a great musician, but that's selling her short. If recent events are any indication, and more on the way from Bonnell including two more performances in Ottawa and Montreal, as well as work on her debut full-length album, it's just the tip of the iceberg for the ethereal beauty.

Record Review: Katie Costello

Katie Costello - The City In Me EP 3.5/5

Myspace

In just five songs Katie Costello introduces herself in a kaleidoscope of poetic lyrics and enchanting vocals that leave an impression. 'Cityscapes' is a quirky, piano driven pop song that shimmers with energy that echoes Nellie McKay. 'How Do We Know' showcases Costello's soaring vocals, while the folk-tinged 'We Are The Way We Are' adds to the range of her sound.

Though Katie sings of isolation and disconnect on the ballad 'Ships In The Night' her emotionally charged vocals make her ever present dripping with sorrow. Costello crafts songs that manage to walk a tight rope between dark, deeply personal and sugary optimism. Katie Costello's warm vocals and colourful lyrics are if nothing else a cut above many of her peers.

Record Review: KT Tunstall

KT Tunstall - Tiger Suit   3/5

Myspace

The raspy voiced girl with folk songs in her back pocket and a guitar in hand may have been how Tunstall entered the pop psyche, but in the years following Tunstall has gone for an edgier sound. On her third album, Tiger Suit, she tackles sleek tricked out pop songs with shimmering pianos in 'Fade Like A Shadow' and digitalized guitars in 'Difficulty'. Even the occasional dance beat is found in 'Push That Not Away'. 

Despite the album's shiny exterior there are still cracks to be found reaching for epic on the ballad 'Lost' or overly dramatic with 'The Entertainer'. The album's standout '(Still A) Weirdo' is classic Tunstall, with it's peculiar charm, even if it isn't quite suited to the album. Tiger Suit manages to feel organic even with her new found glitz and glamour, Tunstall is still a clever and honest songwriter while navigating cliches and that's the cleverest trick of all.

Record Review: Paper Lions

Paper Lions - Trophies EP 3.5/5

Myspace

In just two years a lot has changed for the boys from Belfast, Prince Edward Island, not only have they changed name from Chucky Danger Band to their current moniker "Paper Lions" but the boys have produced their latest EP, Trophies, played at the 2010 Vancouver Winter Olympics, kicked-off a Canadian tour in late September, but also been a recent installment on iTunes' 'Single of the Week' with their track 'Lost the War'.

The evidence for their string of good fortune, an energetic EP full of melodic, pop arrangements. Trophies may consist of only six tracks but that doesn't stop the boys from packing one solid punch of pop! Single 'Lost the War' sets up Trophies five other tracks, each with hooky guitar riffs, heavy drum beats, and energy from start to finish. 'Stay Here For A While' is arguably the catchest of the batch, a sunny jam that will have you singing along. Paper Lions are about as solid as a indie-pop band you'll find, and that's no small accomplishment.

Single Selections: Chilly Gonzales

Chilly Gonzales - Never Stop 3.5/5

Myspace

The Canadian musician known for his work with the likes of Jamie Lidell, Feist and Peaches, finds himself the star of Apple's latest iPad commercial. "Never Stop" recalls the signature playful pianos of Feist's The Reminder, with a twist with electronic grooves it's hard not to find it playing over and over in your head.


Great Bloomers - Small Town Love 4/5

Myspace

Toronto's Great Bloomers follow-up Speak of Trouble with the seven-inch offering 'Small Town Love'. A mellow, minimalist sound, with crisp harmonies and horns to boot, it's a country-tinged rock track that channels a little bit of Gordon Lightfoot. It's fresh and a great teaser of things to come.

Does It Offend You, Yeah? - We Are Dead 3/5

Official Website

A tease of their upcoming record Don't Say We Didn't Warn You, the British dance-punk outfit have offered up the instrumental 'We Are Dead' for download off their official website. Whispering vocals in the open minute degrade into a chaotic beat of electronic elements, and an almost primal chant. It's not their best but it certainly captures your attention... what's next?!

I Blame Coco - In Spirit Golden 2/5

Myspace

There's a bizarre infatuation upon discovering I Blame Coco, like finding out the ugly duckling is oddly pretty. Following her broody, dance track 'Ceasar' featuring Robyn and synchronized for release alongside her debut disc The Constant, 'In Spirit Golden' falls rather flat. Stuck somewhere between Killers' brand synth and the brooding, huskier vocals of Ladyhawke it's hard to separate I Blame Coco from the pack, aside from that little fact that she is Sting's daughter.

Mr. Little Jeans - Angel 3.5/5

Myspace

One part Santigold, one part St. Vincent, this little pop star has a sugary sweet exterior but with enough snarl to make you wary of her bite. A foot taping beat, cooing "be my angel" it's a catchy chorus that reels you in, with clashing synth for good measure, you'll be playing this one more than one. Scouts honour!

Record Review: The Love Machine

The Love Machine - Sweater Weather 3/5

Myspace

For Ottawa's The Love Machine, time has been their friend. After releasing two EPs, in 2005 and 2007, the boys stand as a more mature and well-rounded band culminating with 2010's release of the band's third disc and first full-length album, Sweater Weather. Not to mention on the eve of the album's release the boys were in good company sharing the stage with The Most Serene Republic and Still Life Still.

Sweater Weather swings between large anthems and more contemplative songs. 'Anniversaries' is the anthem that kicks off the record, but that initial energy is not carried throughout the record, however standouts like 'Be A Path' and 'Width Eyes' capture something more, a mature alternative sound and The Love Machine's instant likability. Good songwriting, avoiding the cliche of relationships in crisis and vocals provided by three of the four members, Sean Prescott (guitar/keys), Jordan David (bass) and Allan Gauthier (guitar/keys) add some depth and interest to the band's sound, but mis-steps like 'Love Is On Your Side' feel angst ridden and a step backwards.

There is still plenty of room for the boys of The Love Machine to grow, and develop their sound, but as far as a debut record goes, the strong moments, like 'Lioness' or key heavy 'We Are Squirrels, And This Is Nuts' make listening and watching the band's evolution worth it. Time is a friend to The Love Machine.

Record Review: The Weepies

The Weepies - Be My Thrill   4/5

Myspace

Nine years ago, Deb Talan and Steve Tannen began work on their first record, what they thought would merely be a side project to their respective solo careers is now four albums deep. A Cinderella story of sorts as, in 2005 Talan and Tannen became more than just a musical partnership, they married, and shortly after the release of their third album, Hideaway, they became parents.

Unlike their previous efforts, a mix of upbeat sugary pop and more mellow ballads, Be My Thrill finds The Weepies in an almost entirely cheery disposition. The record speaks of the duo's love affair, like the first single 'I Was Made For Sunny Days' a bright, cheerful single made more sweet by the gorgeous harmonies of Colbie Caillat. 'Be My Honeypie' is a love letter from Tannen to Talan, one of the album's many highlights also showcases Tannen, whom usually plays supporting role to Talan on lead vocals. Even in the more somber moments like 'Add My Effort' there is an effortless beauty in their melodies, it's hard not to fall in love with The Weepies like so many of their Celebrity admirers including Mark Hoppus of Blink-182 and Mandy Moore, the latter with whom, the band collaborated on her 2007 effort, Wild Hope. Not to mention the wide array of TV shows, and films that have featured the bands compositions, including Sex & The City: The Movie and TV alum Everwood.

Be My Thrill from start to finish is a charming slice of indie-pop that never misses a step, 'Not A Lullaby' the album's most subdued song, a simple, elegant track is followed by arguably the band's most experimental song the loose, and rebellious 'How Do You Get High' without a hitch, just going to show this is one musical marriage that continues to deliver solid, enjoyable pop.

Record Review : Forest City Lovers

Forest City Lovers - Carriage   2/5

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Indie folk/pop band Forest City Lovers, return with their sophomore album, Carriage the follow-up to their successful debut The Sun and the Wind. For anyone unfamiliar with the Toronto based outfit, lead by singer-songwriter Kat Burns, the band has made a name for themselves as a captivating folk-pop act.

Carriage by all accounts is a departure from the band's usual sound, and while the record is more adventurous in rock, and pop elements than it's more folksy predecessor, it is not necessarily a complete success. Much of the first half of the album feels like Burns and company have been brushing up on their Paul McCartney, post-Beatles and Fleetwood Mac, with songs like 'Tell Me Cancer' arguably the records best track, and 'Minneapolis' but what initially seems promising becomes your typical indie pop record. 

The album suffers from tracks like 'Oh The Wolves' and 'If I Were A Tree', the latter of which was recently featured as itunes 'Single of the Week' in Canada, are overly cute and attempt to lighten the album's mood, and the darker tones of Burns writing. A limited vocal range and at many times what feels like phoned in vocals, Burns' fails to carry the emotional weight of some lyrics convincingly. Though the instrumentals are sound and the songs are well-written, Carriage doesn't have much bite, it's safe, simple and ultimately is a bit of a snooze.

Record Review: Allie Hughes

Allie Hughes - Allie Hughes EP   3.5/5

Myspace

Allie Hughes' name may be most familiar from her time as a top 10 finalist on CBC's summer reality series 'How Do You Solve A Problem Like Maria' back in 2008. Since then Hughes has not only been in the studio working on her debut record, but cultivating a stage persona that has earned positive reviews and genuine interest in what the unpredictable performer does next.

The four track EP is unpredictable and hard to pin down, playing sugary sweet notes on 'Not The Stars', to punk shrieks on 'Damaged Nail', resulting in an immediate fascination after just one listen. Bubbling over with personality and colourful twists, it's hard not to notice the theatrical element in Hughes all over thefour tracks from bubblegum pop to an alternative hybrid of Bjork and Fiona Apple on 'Rolling Days'. There is no question of Hughes' talent, but it's what she does next, her debut album, that will really show what she's capable of.

Single Selections: Shakira

Shakira - Loca (feat. Dizzee Rascal) 3/5

Myspace

Shakira moves beyond She Wolf, with 'Loca', a salsa infused hip shaker featuring a bold choice in MC Dizzee Rascal, a welcome change from atypical American rappers. 'My Hips Don't Lie' it is not, but it is catchy, latin dance-pop, and that's rarely a bad thing.

Rae Spoon - We Can't Be Lovers With These Guns On Each Other 3.5/5

Myspace

Calgary's Rae Spoon can be found climbing CBC Radio 3's top 30, with thumping drums and subtle electronic elements, this garage rock track is heavy on a hooky chorus. It's only a matter of time before Grey's Anatomy and every other television series are picking apart Spoon's latest disc, Love Is A Hunter for gems like this.

Rihanna - Only Girl (In The World) 4.5/5

Leaked

Ditching Jay-Z for Euro glam, Rihanna makes a comeback of sorts, though she never really left it's a return to Good Girl Gone Bad form. Rihanna seems to have switched to an Ace of Base heavy dance-pop diet, guaranteed to be rocking dancefloors from Bangkok to Halifax to Milan, it's a transcontinental hit. Period.

Sky Ferreira - Obsession 1/5

Myspace

While her European single 'One' is quirky enough to capture our curiousity, Ferreira's North American single 'Obsession' plays to the lowest common denominator... forgettable... you're really not missing much.

Ruby Coast - Creep Me Out 4/5

Myspace

The playful, jangly indie pop tune is a short and sweet hand-clapper that's instantly charming. Put on your dancing shoes for a bit of crazy fun, it's a welcome return of the Aurora natives.

Record Review: Robyn

Robyn - Body Talk Pt. 2 4/5

Myspace

Body Talk Pt. 2 is a sleeker, faster and more pimped out club record. Her beats rival that of M.I.A., she's does Euro glam better than Gaga and out paces Kylie and Britney with relative ease, but Part 2 earns its strips as the counteract to Part 1's bored, experimental, dancefloor craving Robyn, with a pop diva happily at play in the clubs.

"Hang With Me" is the perfect reaction to "Dancing On My Own", the light after the dark. Body Talk Pt. 2 is more unified in polished electro-pop like the standout "Include Me Out" or "Love Kills", the intent of Robyn's second act is focused to "wind it, grind it" as she scoffs on "Criminal Intent". The years best collaboration showcases the Swedish spit-fire declaring, "even the C-I-A knows not to fuck with me" alongside Snoop Dogg on the groove hard "U Should Know Better". The record closes with another acoustic track "Indestructible", which is arguably Robyn's biggest anthem to date, and that's without a proper mix, surely to be found on Body Talk Pt. 3.

Body Talk Pt. 2 is again a thin 8 track record, but if we learned anything from Lady Gaga's Monster Fame, it is a winning formula highlighting the great pop tracks, and still allowing for more experimental moments like "We Dance to the Beat". Robyn is pop's wacked-out girl next door, and we wouldn't have it any other way.

Record Review: Gabby Young & Other Animals

Gabby Young & Other Animals - We're All In This Together 4.5/5

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Buzz-worthy is a term that gets thrown around with the majority of new artists that emerge every year across the musical landscape, most fizz out faster than a bowl of Rice Crispies can snap, crackle and pop! In North America buzz may be an accurate way of describing Gabby Young & Other Animals, but if you've spent any time in Britain than you've either come across of the many positive responses to her debut record or caught her live at one of the many festivals this past summer, buzz-worthy is an understatement.

We're All In This Together is a pitch-perfect blend of swing, jazz, folk, and pop, a cabaret act that comes to life from the album opener, "Umm" to fading horns of "Two By Two". Young's vocals are a show all on their own, elegant with the occasional explosion into Bjorkesque madness, all the while demanding your attention.

Young never stays still in one sound for long, from the quirky spirit of "Ladies of the Lake" where Young seems to have spent time with Fiona Apple's "Paper Bag", to the playful, undeniably catchy "One That Got Away", a swing-pop song with great horns, the album keeps you on your toes. Meanwhile, the straight forward guitar driven pop of "Lipsink" allows for a more stripped listen to Young's considerable talents as a songwriter as well as a singer. Standout title track "We're All In This Together" is a rich folk ballad, starring the opera trained, Young's emotionally charged vocals.

While the We're All In This Together sways between flamboyant, energetic romps and mid-tempo, heartfelt songs, there is a feeling that this is one finely tuned cabaret act, that is wildly entertaining and rewarding. At the heart of this record is impressive instrumentals, equally strong songwriting and the talented vocal performance of Gabby Young. With her 'Other Animals' in tow, Gabby Young is more than just buzz-worthy, she's the genuine article.

Artist to Watch: Meaghan Smith

Meaghan Smith

Myspace

For anyone who enjoyed 2009's indie comedy, (500) Days of Summer, you may have had the unknowing pleasure of hearing Meaghan Smith's bewitching cover of "Here Comes Your Man", a surprisingly original spin on the Pixies' beloved classic. Smith's appearance on the film's soundtrack is just one example of the London, Ontario native's continued success, having been named to Canada's 2010 Polaris Music Prize Long List for her debut record The Cricket's Orchestra.

Despite the recognition, the Sheridan College graduate is no household name, Smith's fusion of folk, jazz and pop isn't exactly radio's first choice for a hit single, which makes The Cricket's Orchestra all the more rewarding a discovery. A rich tapestry of horns, clarinets, string arrangements and lyrics that bleed honesty, Smith is both impressive and captivating, with her personality drenched over every inch of the album. Equal parts playful and intimate, it's no surprise what started out as a small independent record was quickly picked up by Sire Records.

Smith's spin on vintage sounds, mixed with modern elements like the standout "A Little Love" which adds turntable scratches create a fresh sound, that is all the more charming. It's hard not to feel a little love for Meaghan Smith, who's currently working on new material with the likes of mega-producer Linda Perry (Christina Aguilera, P!nk), leaving us wondering if maybe Smith is onto something.

Hear It First: Ruby Coast

RUBY COAST ANNOUNCE NORTH AMERICAN TOUR & RELEASE DIGITAL 7"

Aurora's Ruby Coast released two free tracks today, "Whatever This Is" and "Creep Me Out" off their soon to be released debut record, Whatever This Is.  Alongside the release of their two energetic singles are dates for the band's North American tour. Including the following Canadian dates:

Sept. 9th - North Bay, ON - Nipissing University

Sept. 11th - Thunder Bay, ON - Lakehead University

Sept. 18th - Newmarket, ON - Studio Five Salon

Sept. 24th - Toronto, ON - Unit C

Sept. 25th - Guelph, ON - Jimmy Jazz

Oct. 1st - Ottawa, ON - Cafe Nostalgica

Oct. 2nd - Montreal, QC - Petit Campus (Pop Montreal)

Oct. 8th - London, ON - Alex P. Keaton

Oct. 9th - Sarnia, ON - Trinity Lounge

Download Ruby Coast's latest tracks below:

Creep Me Out

Whatever This Is

Single Selections: The Ting Tings

The Ting Tings - Hands   4.5/5

Myspace

The Ting Tings change things up on their latest single "Hands" an electro-disco that has the dynamic duo brushing up on their Kylie Minogue dance beats. A simple hook, hot synth and an instantly addictive beat, it sticks to your brain, forcing you to press repeat, and you won't want to fight the feeling!

Maroon 5 - Give A Litte More   1/5

iTunes

It may be new Maroon 5 but it sounds and reads like the remainders bin of songs that didn't make the cut on It Won't Be Soon Before Long. "Give A Little More" gives less than it promises.

Kid Cudi feat. Kanye West - Erase Me   2.5/5

iTunes

Kid Cudi's latest single is not his best, featuring Kanye rhyming like a Joe Jonas break-up text, it's a decent radio-friendly single but doesn't keep your attention for long.

Robyn - Hang With Me   4/5

Myspace

After being featured on Body Talk Pt. 1 in acoustic form, "Hang With Me" is given a proper mix on Body Talk Pt. 2, proving Robyn can produce pop singles with the best of them. It's not quite as rapturous as "Dancing On My Own" but it's just as delicious.

Janelle Monae - Tightrope (Wondamix) feat. B.o.B. & Lupe Fiasco   4/5

Myspace

Stripped down to a groovy guitar rift and a beat, Monae spits rhymes alongside two of raps biggest boys, reaffirming her place as the best female hip-hop and R&B artist on block. "Tightrope (Wondamix)" will cause a body twitch from head to toe, you better believe you'll be groovin' to a stellar remix of an already stellar song.

Record Review: Ra Ra Riot

Ra Ra Riot - The Orchard   3.5/5

Myspace

On first listen The Orchard may not be what those who have been awaiting Ra Ra Riot's follow-up to The Rhumb Line, but upon a second and third listen you'll discover a more well-rounded and mature band. The contrasts between the band's debut and sophomore albums are clear, as co-founder/drummer, the late John Ryan Pike does not inhabit much of the songwriting as on The Rhumb Line, but it's The Orchard's more lush, textured string arrangements, flourishes of energy and warmer hues are the most captivating

Where The Rhumb Line found a winning formula with a tug-of-war between hooky, energetic chamber pop and melancholic mid-tempo numbers, The Orchard find more complex, sophisticated arrangements, though not abandoning what makes the band so enjoyable, like lead single "Boy" and its preppy follow-up single, "Too Dramatic" which follow the formula of "Dying is Fine", hooky, pop-rock that's chalk full of energy.

At the cost of some hooks the boys and girls of Ra Ra Riot branch out experimenting on tracks like "Massachusetts" that dances on sprite piano keys, and strings. Cellist Alexandra Lawn takes a turn on vocals on the surprising "You & I Know", as Lawn's vocals recall a young Stevie Nicks, on the album's heaviest moment. The record's standout track is "Shadowcasting" a light and hooky, pop song with vocalist Wes Miles at his most charming.  

The Orchard demonstrates the band's growth, set to more layered arrangements and genuine energy, Ra Ra Riot may not reproduce The Rhumb Line's instant likability, but they clearly aren't resting on their laurels.

Record Review: Gramercy Riffs

Gramercy Riffs - It's Heartbreak 3.5/5

Myspace

NXNE like it's Austin, Texas counterpart is one of the few major festivals that help focus on new and emerging artists/bands, and for bands like Gramercy Riffs, you may earn some good reviews and a little more attention than an honorable mention of the date and time of your performance.

It's Heartbreak, the band's debut record, has only helped to continue the momentum in the their favor. A solid pop-rock record that re-affirms the already positive responses to their live performances, full of energy, and songs about love and heartache. For a relatively new band, their music shows the maturity of a band that's come a long way from their St. John's, Newfoundland beginnings to their establishment on the Toronto music scene.

Mara Pellerin's vocals are one of the highlights like on the striking yet simple pop-rock of "Dreaming", or the grittier rock of "Call Me". Though not as strong, guitarist Lee Hanlon still controls the microphone with relative success, like "Silent Walls & Siren Calls". Though It's Heartbreak isn't big on experimental sounds or epic rock anthems, the band maintains their energy and even finds a bit of playfulness with elements of rockabilly on "Seventeen" and "The Freezedown". Solid arrangements, dual vocals and genuine energy make for a good time whether on your ipod or live in concert.

Download: Seventeen

Download: Dreaming

Record Review: First Rate People

First Rate People - It's Never Not Happening EP 4/5

Myspace

Owen Sound's First Rate People are an indie-pop gem that have grabbed the attention of not only indie music fans but even Pitchfork. It's Never Not Happening the bands debut EP only cements the band's credibility as indie-pop darlings. Following their debut single, "Girls' Night" Slinky slice of pop that recalls the Tom Tom Club's "Genius Love".

Much of the EP's remaining tracks build off that disco grooves that are instant dancefloor jams, like "Charlie Kaufman" and "Orion". "Dress So Fine" is a playful song that finds similar sounds to that of the Dirty Projectors but there's no complaining here, even playing in some of their initial folk beginnings like "It's Never Not Happening Pt. 1". The band's colourful indie-pop is hard to resist and with their latest single "Gentlemen's Club" (not found on their EP), it's clear First Rate People are no fluke.

Download - "Gentlemen's Club"

Record Review: The Consonance

The Consonance - Come The Day   4/5

Myspace

The Consonance, consisting of 6 jazz students from Grant MacEwan University in Edmonton have created Come The Day, a record that masters the genres of jazz and hip-hop while drawing on the elements of rock, pop, R&B and funk. Possessing striking maturity from Jesse Dollimont's vocals to skilled saxophonist Sophie Heppell, showcased on "Cost", The Consonance produce a style and record that stand alone.

Instant favourites like title track "Come The Day" and "More Alive Than Life Itself", find a funky groove and Justin McDonough's rhymes, who also doubles as the band's drummer, while staying more rooted in the band's jazz sound. Meanwhile, "Seeing Red" strays into alt-rock, and the enjoyable "Take Your Thyme" plays in pop elements, ripe for it's eventual remix. Album closer "Mind In Motion" finishes off the record with catchy lyrics, and an addictive groove. 


Come The Day is an impressive debut that is refreshing and finds its heart in every aspect of the music from vocals/rhymes to its instruments from a band that appears to not only have studied Coltrane but learned a little from the Fugees as well.

Download: "Come The Day"

Record Review: Daniel Moir

Daniel Moir - Road 3.5/5

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At just 20 years old, Daniel Moir has already earned comparisons to the likes of fellow Canadian singer-songwriter Dan Mangan, but comparisons aside, the Edmonton native possesses talent well beyond his years. Road is an impressive introduction to Moir's skills as not only a musician but as a songwriter, capable of creating stories like that of "Halcyon Days", a gorgeous folk-pop song that is among the album's highlights.

With the help of producer Russell Broom, Jann Arden's former guitarist and producer, Road is a full realized record chalk full of guitars, string arrangements, pianos and banjos, that showcase the young musicians considerable talent. Though Moir still has room to grow into his vocal stylings, it's the youthful energy of songs like "The Leaving Song" and Moir's naivete that's most charming. Moir's youth plays to his strength given plenty of time for further growth as an artist, don't be surprised to find Moir's name one day listed on Polaris.

"Fruitless Journey"

Single Selections: Rah Rah

Rah Rah - Arrows 3.5/5

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The pop-rock collective's lead-off single from their sophomore effort, Breaking Hearts, "Arrows" is a reminder of the band's magnitude. Thumping beats, clashing cymbals and pure energy, it's no wonder "Arrows" is finding love on CBC Radio 3's Top 30.

Shad - Yaa I Get It 5/5

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Hailing from London, Ontario, Shad is arguably one of the best hip-hop artists ever to hail from Canada. "Genetic freak, poetically".... we agree, Shad spits rhymes like the best in hip-hop. Yaa we get it, Kanye and Common take notice.

A B & The Sea - Suzie 3/5

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The San Francisco by way of Wisconsin trio, find sun, sand and a carefree vibe on their single, Suzie from the Boys & Girls EP. It's a retro pop tune that's fun and breezy. Beach Boys they are not but everyone enjoys a good hand clap now and then.

First Rate People - Gentlemen's Club 4/5

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Owen Sound's First Rate People, live up to their name with the lush, sweet harmonies, and foot taping beat of "Gentleman's Club". It's alt-pop candy that's sultry and addictive, you'll be left wanting more.

KT Tunstall - Push That Knot Away 3.5/5

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Released as a Youtube clip, the Scottish singer/songwriter takes on a booming beat, an edgier rock sound and electronic elements in her departure from her coffee house sound. It's got energy, a bit of brass, and a sweet bass solo, plus Tunstall's echoing vocals, not her best but we're not complaining.

Record Review: Wolf Parade

Wolf Parade - Expo 86 3.5/5

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Montreal band, Wolf Parade find a darker groove on their third release Expo 86. Opener "Cloud Shadow on the Mountain" holds no punches, eluding to the elements that provide the frame work for most of the band's latest offering, from reverb-saturated guitars, to glossy synthesizers and pulsing drums. "Palm Road", a thundering, Springsteen-esque rocker, fails to excite feeling like an Arcade Fire, b-side.

Expo 86 is weighed down in darker tones and the boys' own neuroses, highlights like the funky, mechanical groove of "Ghost Pressure" with glamorous keyboards, or the marching drum beat of "Yulia", make the experience lighter. The boys have traded in their tight production of At Mount Zoomer for a looser sound, that helps breathe life into tracks like the climatic-closer "Cave-O-Sapien". For a record unified by it's themes and mood it somehow feels aimless, but if that's the worse criticism then they must be doing something right.

Record Review: Kylie Minogue

Kylie Minogue - Aphrodite 4/5

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Ditching the urgency and American pop aesthetics of 2007's X, for what Kylie does best, sleek electro-pop, that fits any Friday night party. Kylie finds a bounty of synth-soaked tracks, produced and co-written by the likes of Stuart Price (Madonna's producer), Scissor Sisters and Calvin Harris.

From the album's lead single "All The Lovers" to the closing track "Can't Beat This Feeling", Minogue ties it all together with breathy vocals, energy, and hints of 70s disco turned out with a sonic boom. Minogue may have never left the dancefloor but it's certainly been a while since she commanded it with such delicious tracks like"Get Outta My Way" a sassy, slice of pop heaven, or the glitzy dance-rock of "Cupid Boy". Aphrodite, may not be innovative or the most unique pop out there but then again, who cares, as long as we're dancing.

Record Review: Sheryl Crow

Sheryl Crow - 100 Miles From Memphis 3.5/5

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100 Miles From Memphis finds Crow in a state of bliss, exploring the very sounds that influenced her as a girl growing up in Missouri. Infused with soul, r&b, and even a bit of reggae, Crow sounds right at home. Collaborations provide some of the most enjoyable highlights with Justin Timberlake on "Sign Your Name", a Terence Trent D'Arby cover, remade in the model of Al Green and Keith Richards on "Eye To Eye", where Crow shows off her reggae swagger.

The album's opener "Our Love Is Fading, sets off a record that feels like Crow pulled the sounds straight out the 1970s. Throughout Crow finds upbeat grooves, horns at every corner and hook heavy chorus' like that of lead single "Summer Days", and "Peaceful Feeling". The disconnect comes with Crow's thinner than usual vocals, and the purposely impure production, though refreshing, Crow seems to fade out against her instrumental backing, like that of her Aretha-flavored "Stop".

It's an imperfect record, but an enjoyable and refreshing experience, that more often than not reaps the reward of Crow's experiment with the very sounds that have shaped one of rock's best female artists.

Singles Selection: Jamie Lidell

Jamie Lidell - I Wanna Be Your Telephone 4/5

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The highly underrated UK soul man, rivals Prince with his latest single, a funk/soul number that puts a bit of swagger in your step. Naughty lyrics and a dirty groove are an irresistible combination, making "I Wanna Be Your Telephone" all the more tantalizing.

MNDR - I Go Away  3.5/5

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Having created buzz following her collaboration with Mark Ronson, Amanda Warner a.k.a. MNDR, hits us with the slow burning, dance-pop number "I Go Away". Rich vocals, an echoing drum beat and a clear pick for the summer's post-relationship anthem, its pop candy worth the cavities. 

The Best Coast - Boyfriend   3.5/5

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Cali noise-pop duo, lead off with a the hazy summer single, "Boyfriend". It's all about the boyfriend that's just a friend. Fuzz pop and sonic vocals dominate this alt-rock number, it's a ready-made mix for shades, surf and sun.

Sterling8 - Hypnotized   2.5/5

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The instant Prince comparison is hard to avoid, but this 80s tickled debut track from Sterling8 has promise, and a distinct R&B/pop flavor that sets it apart from other electro-dance obsessed acts.

Stars - How Much More   4/5

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The female half of Stars' vocals, Amy Millan, is showcased on the catchy, melodic, mid-tempo number from the band's latest offering, The Five Ghosts. Millan's breathy vocals, over slick synth, coupled with the upbeat feel, "How Much More" lends perfectly to any summer playlist.

In Conversation With... Dan Mangan

In Conversation With... Dan Mangan

   

Setting out on his most recent North American tour Dan Mangan continues to build a following and gain recognition for his sophomore record Nice, Nice, Very Nice. In the past year XM Satellite's The Verge has named Mangan Artist of the Year and his single "Robots" was hailed by the CBC as Best Song and Best Vocals of 2009. The morning prior to our interview, Mangan's name was announced on the short list for Canada's 2010 Polaris Music Prize alongside 9 other nominees including Broken Social Scene and Tegan & Sara, .

Shattered Vinyl spoke with Dan after his long drive through construction from Portland, Oregon to his home in Vancouver. The groggy but humble and warm singer-songwriter chatted with us about his latest record, touring and recent nomination for the Polaris Music Prize.

What song or moment gave life to the record?

I made the first album in the summer of 2005 independently and started writing songs for this record just after I released the album. The record is inadvertently about Vancouver, I was touring six to seven months a year for four years and away from home so I was thinking about it a lot. I wasn't there so it was a long distance relay with my girlfriend and family and it came out in the record. There are a lot of subtle references and imagery of the city.

The record seems to transition with ease between different styles indie-rock, alt-country to folk. Is that a reflection of your interest in various sounds and elements?

I listen to a lot of music and am inspired by a lot. I'm a little bit of a scatter brain that way, when I hear something, I think I want to sound like that. It was written over four years, I was exposed to different artists and cities that influenced the sound of the record, there was time for the songs to gestate and develop over time. 

Your lyrics are often very witty and full of imagery is there a deliberate effort to find that when you write?

I'm glad you noticed that, it's usually a stream of consciousness. I'll spit out lyrics and then spend two months editing, I'm a meticulous editor. I mean I'm a pretty easygoing guy, though the music may suggest otherwise. Some call the record fairly dramatic but I think you have to be able to laugh at yourself, I think the lyrics show all sides of your personality. 

What inspired "You Silly Git"?

It's actually one of the more personal songs, I was in London [England] and I had called my girlfriend complaining about something and she basically said...well get over it, you know, you're in London doing what you want to do, so I tried writing the song from another angle, appreciating what I've got. I remember hearing that saying and was having a Monty Python moment, appreciating John Cleese's humour.

What challenges when writing/recording do you enjoy most?

The obsessiveness of going into the studio and burying your head for weeks. That obsessive compulsiveness of when you focus on something for six weeks that you're consumed by it. It's a roller coaster, one minute you think you're making something great, the next you think it's a total piece of crap. It's a double-edged sword, it's exhausting and draining but the feeling when you finish the process, you take a bit of time and want to do it again. 

What's your favourite song on Nice, Nice, Very Nice?

On the road it's day to day the song changes, sometimes a song fits the mood better. I'm quite proud of the song "Basket", it came together after my grandfather died, I was able to put my inner thoughts and emotions into words rather quickly.

What has the response been to the album on the road?

Really good. Here in Canada, to play the opening bars of a song and have people cheer, it never gets less awesome and weird. Everywhere you go you have to start from the ground up, from bigger shows in Canada to a crowd of thirty to fourty in Germany you have to be level-headed. People have been responding well. 

How did it feel to hear you were on the short list for the Polaris Music Prize?

Man, it was amazing. I was over the moon, I mean I thought we had a pretty good chance at the long list but the short list is even more insane, the quality of the award is the company it keeps. I can't even think about the gala, you know, I just approach it with zero expectation, it's just great.