Record Reviews: Ruth Cassie

Ruth Cassie - Ivan Blackbird's Story 4.5/5

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A stunningly eclectic debut record, Ivan Blackbird's Story, allows Ruth Cassie, a multi-instrumentalist, and former band member for Hawksley Workman, to be front and centre where she belongs. Brash and calm in the same breath, Cassie possesses, seductive vocals equal parts Kate Bush and Tori Amos.

Cassie's poetic lyrics, undeniable charm, and soul stirring instrumentals, make Ivan Blackbird's Story all the more captivating. Gorgeous melodies, and high spirited songs like "Cake For Rebecca," and "Mercury's Rising" are hard to resist. In any setting Cassie's vocals are a source of strength on ballads like "Awe & Wonder."

From the edgy, funk groove of "Becoming Jane" to Cassie's incarnation as a pixie on "Bee Sting," the record never ceases to amaze. Unlike Bush or Amos, Cassie is fearless in tackling more appealing pop tunes, and succeeds in spades. Ruth Cassie shines.

Record Reviews: Brett Caswell & The Marquee Rose

Brett Caswell & The Marquee Rose - A New Balance 4/5

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From the opening chord on "When It Rains," A New Balance exudes craftsmenship, genuine energy and a rich tapestry of storytelling, woven into every line of this alt-country journey. It's a promising introduction to the raspy vocals of artisan, Brett Caswell.

Full of simple, yet striking harmonies, easy to swallow hooks and plenty of heartache and self-discovery to go around, A New Balance charms you with ease. The record's title track, is a twangy-acoustic lullaby, "get this heart off my sleeve...I wanna walk in someone else's shoes," croons Caswell, is seductive and an instant favourite.

Brassier tracks, "Guilty," "Needle In the Groove," and "A Friend In Need" have natural energy, and character. The soaring piano ballad, "Mr. Elevator Man," bleeds heartache, climaxing with a clashing of piano keys and guitars. "L.O.V.E." a bouncy, upbeat piano-driven track recalls a cheerful Randy Newman.

Even when the record loses its footing on the closer "Nicaraguawhaa," where Caswell taps into his inner Zepplin or an awkward run-in with what maybe mistaken for pushy Jehovah's witnesses on "Preaching To the Wrong Choir," A New Balance still manages to find a balance with sound instrumentals and Caswell's skilled songwriting.

Artist to Watch: Ellie Goulding

Ellie Goulding

Once every year critics pick out several obscure artists, usually located on the fringe of the music scene, and praise them to the point of exhaustion. Some manage to navigate the instant gratification and produce music that justifies the hype. The rest, while deserving, usually fall by the wayside and are quickly shuffled out of the way for the next batch of hopefuls.

Ellie Goulding, according to the Brit Awards, and BBC's Sound of 2010 poll, is the cream of the crop. The girl that will electrify the music scene and crush pop boundaries. While it may be flattering, the expectation and pressure it places on Goulding's debut album, Lights, is pretty big. The reason for the hype is Goulding's sound, dragging folk out of the barnyard and onto the dancefloor.

Lights, is more an answer to fellow Brit, Little Boots, electro-pop than Joanna Newsom's experimental folk. Auto-tuned and not a rough edge is sight, it boasts commercial appeal without a doubt, singles like "Starry Eyed," and "Under The Sheets." It's sparkly, slick and overall enjoyable, but not necessarily memorable. Lights is never less than impressive melodically from beginning to end, and marks the beginnings of a genuine, intelligent and talented pop star.

It's the album's closing two tracks, "I'll Hold My Breath," bubbling synth, with a chorus singing "a sky of diamonds just for us," that glows. The latter "Salt Skin," an inventive epic, which stand out as indicators there may be more than meets the eye. It's Goulding's lyrical might - bruised and honest - the warble in her vocals, that call to mind Joanna Newsom, and her folk heart.

The fresh-faced, 23-year-old, Goulding could lead an innovative new movement, if she abandons the glossy pop asthetic and singles poised for commercial appeal and finds comfort in her own skin. It's the intrigue of watching which path will be her's to take : just another pop star or an innovator.

Singles Selection: The Balconies

The Balconies - Serious Bedtime  3.5/5

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The Toronto-based trio will keep you moving with a leading bass line, simple hook and the dynamic vocals of siblings Jackie and Steve Neville. The Balconies undeniable groove will put a little swagger in your step and leave you wanting more.

M.I.A. - XXXO   4.5/5

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Art over commercial appeal has always been M.I.A.'s formula, "XXXO" is an aggressive, in your face, techno-dance track with her middle finger waiving high. "Tweetin' me like tweety bird on ya iPhone," M.I.A. spits fire with every word. It's a deliciously rebellious single, and only too welcome to have one of the most interesting artists around back at the forefront of genre-bending music.

Natasha Bedingfield - Touch   3.5/5

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The beloved Brit-pop/girl power singer, returns to form with the surprisingly refreshing single "Touch." Unlike most of her female counterparts bump 'n grind tracks, Bedingfield's dance-pop single tells a story about the chain reaction of events that lead to 'that' moment. The echoing boom of Bedingfield's vocals and the climatic urgency make it a suitable summer single.

Robyn - Dancing On My Own   4/5

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Inspired by "sad, gay dance anthems," according to Robyn, it's an addictive electro-pop single that falls in the same vein as "With Every Heartbeat." Robyn lurks in the shadows of a dance club, heart breaking as her ex-beau kisses his new girl, all the while she's invisible to him. It's an emotionally powered number, with thumping beat and lyrics like "stilettos and broken bottles/I'm spinning around in circles,".... yup it's a gay anthem all right!

Record Reviews: Band of Horses

Band of Horses - Infinite Arms 2.5/5

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Infinite Arms finds Ben Bridwell and company on a slow journey through Americana, on their third album and first release since making the jump from Sub Pop to Columbia records. That leap seems pretty small as the boys fail to escape the comparison's of fellow indie rockers My Morning Jacket, and stake out their own territory.

The string-drenched "Factory" is charming, easily drawing similarities to Wayne Coyne of The Flaming Lips. "Factory" sets the tone and themes of the record. Mid-tempo songs full of self-reflection, and soul searching, that lack genuine emotion. The first single Laredo is crunchy, blues, bar rock, that's altogether flat and forgettable.

The energetic bouncing keys of "Dilly" feel out of place in a swamp of melancholy, atmospheric rock. "NW Apt." is a single in waiting and the only song to really bring true energy to an otherwise sleepy album. The middle of the album falls into a rinse, wash, repeat format. An opening riff that perks up the ears, before looping it over and over, rocking you gently back into your sleepy, star gazing state. If you want atmosphere, the record has it's charm, particularly for a good road trip.

Between Bredwill's Neil Young-inspired vocals, the over production, and cluttered instrumentals, there's a feeling Infinite Arms was all too focused on the transition from indie to major label and the need for a more immediate presence. Instead, they lack just that... presence.

Record Reviews: Janelle Monae

Janelle Monae - The Archandroid 4.5/5

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Few artists can transcend genre without falling victim to their own limitations or overly ambitious dreams, Janelle Monae on the other hand is an example of a truly gifted artist. The charismatic Kansas City native, embarks on the second and third parts of the Metropolis suites in The Archandroid. An 18-track stunner that feels more like a summer blockbuster.

"Dance or Die," is the first taste of Monae's kaleidoscope of sound, featuring slam poet Saul Williams, it showcases Monae's spoken-word/rap skills. Like all songs on The Archandroid one song seamlessly transition into the next, leading to the psychedelic thriller of "Faster" and "Locked Inside," a doo-wop love affair, complete with a stellar groove and simplistic hand claps.

From "Cold War" to "Tightrope," Monae perfects her funk/soul grooves. "Oh Maker" feels like a modern-day Marvin Gaye number, earnest and heartfelt. While the game changer "Come Alive (The War Of The Rose)" is a dance-punk number that feels surprisingly at home on the record. "Mushrooms & Roses" is pure Hendrix, while the indie rocker "Make The Bus" features a guest appearance from Of Montreal.

The bouncy, carefree "Wondaland" shows off the bubble gum pop side of Monae's personality. Monae finds common ground with fellow R&B chanteuse Erykah Badu on the laid back affair, "Say You'll Go".

If you listen closely the story of Metropolis can be found in The Archandroid, but what makes it such an amazing experience is the non-stop, spectacularly catchy songs, each one a new story. It's hard not to be in awe of Monae's endless talent, she maybe the answer to a music landscape sorely missing Lauryn Hill. This genre-bending wonder kid is just what the doctor ordered and produces a near-classic on her debut record.

Singles Selection: Florence + the Machine

Florence + the Machine - Cosmic Love 4.5/5

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Releasing their 6th single from Lungs, Florence + the Machine expose arguably their best song from the album. Tribal drums beat steadily like a heart, with twinkling harps, and Florence Welch's powerful yet elegant vocals, "Cosmic Love," is an opus of gorgeous and raw emotion. It's climax mixed with Welch's trademark howl, it's an undeniable song, deserving of the distinction of being the latest and possible greatest single thus far, from Florence and the boys.


Kylie Minogue - All The Lovers 3/5

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Minogue returns with her first single, "All The Lovers." This elegant electro-dance pop single is a return to form after the more urgent sound of 2007's X. Dripping with synth, a soaring climax and Kylie's singature breathy vocals, its dream pop. Not Kylie's most interesting or exciting we've heard, but it fits nicely into pop radio.

Dizzee Rascal - Dirtee Disco 4/5

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King of U.K. grime, Dizzee Rascal drops a new single for the re-release of his hit record Tongue 'N Cheek. "Dirtee Disco" is just that, a disco-infused track, with Rascal's slick rhymes, a dance floor beat, that will have the party moving. Dizzee Rascal may have strayed from the sound that made him famous but it's paid off. It's an enjoyable single, definitely worth a spin.

Kele Okereke - Tenderoni 4/5

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Lead singer of Bloc Party, Kele Okereke is stepping out on his own with "Tenderoni," from his debut record The Boxer. The electronic, synth heavy single is a departure from Kele's Bloc Party sound. An instant club hit, likely to be found playing above the urinal at your local gay bar. It's a dance track of the filthiest kind and a good one at that.

The do - Stay (just a little bit more) 4.5/5

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Not a proper single, this Franco-Finnish duo are already indie darlings over seas, "Stay" a track off their debut album, A Mouthful, is a charmer. Perfect for any summer soundtrack starring a ukulele, it's a light hearted, lyrically sharp-tongued number, impossible not to become hooked on. Olivia Merilathi's vocals recall a younger P.J. Harvey, and that alone makes it worth a listen.

Record Reviews: Keane

Keane - Night Train EP 2.5/5

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Keane's mini-album finds its moments amongst awkward rap, and a heavy reliance on 80s synth. From the album opener "House Light," an odd little intro number that feels more out of place the further into Night Train you move. "Back In Time," feels like a study in Bond theme songs, while "Clear Skies" finds a more comfortable groove for the band.

Then there is Somali-Canadian hip-hop/rap artist, K'Naan, appearing on "Stop For A Minute." A track that regardless of K'Naan's less than intriguing verse, hasn't a hope of feeling the slightest bit progressive, and more an exercise in social conscience. "Looking Back," K'Naan's other collaboration on Night Train, misses the mark entirely, a Rocky-theme inspired number is complete camp, without the entertainment value. "Ishin Denshin" is a flat-out odd addition to the EP.

"Your Love" and "My Shadow" are decent tracks, that feel like a natural extension of Perfect Symmetry, welcome breaks from the choppy feel of the album. Night Train finds Keane attempting to step out of the box, only to stumble without a firm footing.

Single Selections: Sara Bareilles

Sara Bareilles - King of Anything 3.5/5

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"Who cares if you disagree/you are not me/who made you king of anything," chirps a self-assured Sara Bareilles. Returning to form on the bouncing, piano-driven pop record, from her sophomore effort due later this year. The sunny and crisp single is all but guaranteed to be a radio favourite. Bareilles proves she's far from a one hit wonder, with her signature bravado, and well-construct pop single.


Dido - Everything To Lose 4/5

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Making an appearance on Sex & The City 2's soundtrack "Everything To Lose," is a smooth, electronic beat, layered with Dido's humming and elegantly subtle vocals. Fitting in to a lounge mix or played over the speakers of a martini bar, it's a different direction from Safe Trip Home, and refreshing to hear Dido move back in the direction of "Hunter," mixed with some studio time with the likes of Tiesto or say, Kaskade.

Enrique Iglesias - I Like It (feat. Pitbull) 2.5/5

Official Website

A summer single, can be spotted by 3 simple tell-a-tale signs: 1) a simple pop hook, 2) featuring the current hip-hop/rap muse, in this case Pitbull and 3) sampling a previous hit like that of Lionel Richie's "All Night Long." For what it's worth the song isn't all bad, Enrique can manage a decent pop single, but it's the appearance of Pitbull, who makes the song feel dated before it's even begun to age and an over-produced sound that kill any long-term interest in Iglesias' latest attempt at conquest of North American radio.

Katy Perry - California Gurls (feat. Snoop Dogg) 1.5/5

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A decided response to the Jay-Z/Alicia Keys smash "Empire State of Mind," Perry is looking for buried treasure with "California Gurls." Featuring west coast rapper Snoop Dogg, "Gurls" is very much a sunny, pop single, but that is all it is. Perry seems to be digging through the recycling bin of pre-packaged summer tunes, like something LFO would have recorded. It may be listener friendly but it sounds more like a one-hit wonder, to be found 10 months from now in the reduced to half-price bin.

Sia - Clap Your Hands 4/5

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The odd ball singer-songwriter, channels an upbeat, disco sound, on her most recent single from her forth-coming album We Are Born. The simple hook of "Clap Your Hands" chorus, the injection of a little tamborine, hand claps, and a bit of synth make for a ridiculously catchy single. "Come on dance/take a chance on romance," take a chance and dance to this number and you'll be spinning it over and over.

Record Reviews: V. V. Brown

V.V. Brown - Travelling Like The Light 4/5

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Excuding fierce charisma, and tackling '50s/'60s retro-soul with enough of a modern spin without turning into a nostalgic act is no small task. Brown's debut record, Travelling Like The Light is a lesson for many of her counterparts of what real emotion and musical range sounds like.

From the opener "Quick Fix" and it's thundering drum beats and Brown's squeal, you know, you're in for a ride. A hand clapping, '50s pop-rock thriller, causes a craving for a checkered dancefloor and room to do the twist. Neo-soul on "Leave!" and "Everybody" are pitch perfect.

Even in her more modern moments, like "Game Over" or the heavy hitter single "Shark In The Water," Brown is still enjoyable and charismatic. The rockabilly "L.O.V.E." fits like a glove. It's a wide range of sounds, tightly packaged, rough around the edges that never misses a beat. Its a gutsy record, that pays off for Brown and for the listener.

Single Selections: Corinne Bailey Rae

Corinne Bailey Rae - Paris Nights/New York Mornings 4/5

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Arguably Rae's most commercial track off The Sea, "Paris Nights" is a welcome reminder of why we fell in love with Rae. A healthy dose of sass, velvety-smooth vocals, a little bossa-soul and hooky guitars, make up this pop gem. Refreshing and enjoyable it's a worthy summer single.


Starshell - Superluva 3/5

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The songwriter behind Kanye's "Love Lockdown," and first female artist signed to Mary J. Blige's imprint, Starshell has high expectations. Her lead off single from her as-yet-titled debut "Superluva" is a sure fire pop hit. All the elements of a summer smash, easy to digest, and just the right amount of mischief to keep you intrigued. The club favourite, doesn't command heads to turn but it does command your hips to move.

Band of Horses - Factory 3.5/5

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Offering a sleepy number for download on their website. It's swelling strings, and melancholy mood, Band of Horses sing lines like "I was thinking it over by the snack machine/I thought about you and a candy bar," its hard not to hear your own little heart strings swell.

Kelly Rowland - Commander 3.5/5

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Her lead-off single, finds Rowland collaborating with DJ/producer David Guetta, with whom she scored a hit in 2009 on "When Love Takes Over." This dance/electronica track is a declaration of Rowland's new role as the modern day Donna Summers. It works for and against her, as the song is a cliche and doesn't compare to her previous single with Guetta but the chorus' "Right now I command you to dance," shows Rowland brass and general power to move your ass to the nearest dancefloor.

3OH!3 feat. Ke$ha - My First Kiss 2/5

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This foot stomping collaboration between two of pop's current "it" kids, 3OH!3 and Ke$ha finds itself as a rather forgetful summer single, to be forgotten five minutes later. A little sass on Ke$ha's part and the boys chant like singing, fail to hit the mark.

Record Reviews: Hannah Georgas

Hannah Georgas - This Is Good 2.5/5

Hannah Georgas walks the thin line between indie-pop and mainstream appeal, like a high wire act. So is the gamble the Vancouver singer is taking with her debut solo record. Indie darling or breakout Canadian star.

This Is Good is a well-constructed pop record, with undeniable energy and charisma, which makes Georgas enjoyable to get to know. The album opener "Chit Chat," fits in a similar vein to fellow indie singer-songwriter Ingrid Michaelson, ready for its Starbucks/Grey's Anatomy appearance.

At moments Georgas seems to channel Missy Higgins or Emily Haines of Metric. This Is Good's stand-out track is the hooky, Metric-esque "Bang Bang You're Dead." It's an upbeat, radio-friendly song, sprinkled with a little synth and complete with the simple hook chorus as Georgas chants "Bang, Bang you're dead."

The bare bones of Hannah Georgas debut are solid and generally enjoyable but the album fails to make a lasting impression. Offering a little bit of everything, it lacks focus, or any sort of signature sound that makes Georgas stand out amongst the hoards of other indie singer-songwriters.